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Fernando Tatis Jr Hitting Mechanics Part-1

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Fernando Tatis Jr Hitting Mechanics: How To Make Contact Sound Like A Shotgun Going Off…

 

 

In the above Fernando Tatis Jr. hitting mechanics video, we're going to discuss:

Fernando Tatis Jr. Hitting Mechanics

Fernando Tatis Jr. Hitting Mechanics photo courtesy: MLB.com

The following is the Fernando Tatis Jr. hitting mechanics video transcription.  After you enjoy this analysis, then check out Part-2 Here.

Enjoy!

0:05
Hey, what's going on? It's Joey Myers from the Hitting Performance Lab, and in this Fernando Tatis Jr. hitting mechanics video, we're going to go over a couple things.

0:13
First, we're going to start with a couple fan graph points of interest, and then we're going to go over how Fernando Tatis Jr. uses Catapult Loading System principles. And lastly, we're going to touch on how he stays sideways using his lower half.

 

Fernando Tatis Jr. Hitting Mechanics Fan-graph Stats…

0:30
A couple things worth noting in the fan-graphs article, as you can see that he is 6'3″, 185 pounds. I may be wrong but that's about what Ted Williams was coming into the league. You could see comparing his 2019 and 2020 seasons, obviously 2020 is going to be quite shortened and 60 games season.

0:53
You can see that with almost half of the amount at-bats, plates appearances. He's got almost as many doubles, and almost as many homers as he did in 2019, where he played in 84 games. And then you can see in his line drive, ground-ball, fly-ball rates that again, this is about half the amount of games in 2019, he played in, and then he's got about half or so that he's played in 2020.

1:24
You can see that, of course, these numbers, the data is going to be a little skewed because there's lower data points, but you have a 22.4% line drive rate league average is 20. Got 16.3 here this year, ground-ball percentage is about average last year 46.6%, or 43% is average. So he's a little bit above average. A little bit even more above average of 48.2 this year, and then his fly-ball rate has gone up from last year. He's at 38, or 30.9%, which league average tends to be, league averages about 34%.

1:58
And then he's almost about average on his fly ball percentage but increasing about 5% from last year to this year. Again, we're talking lower data points.

Catapult Loading System Principles

2:07
Alright, let's really dig into this Fernando Tatis Jr. hitting mechanics video, we're going to look at the Catapult Loading System principles. The best view for these, for most of them, is from the pitchers view. Just to give a little context to this pitch, you can see the location is about up and in, up and in part of the strike zone. And the pitch, you can't see it on the screen. I can't see it on the screen, but it's flashing a nine, here. So it's 90 plus for sure. 92. There you go 92 miles an hour.

Neck Pressure – Showing Numbers

2:34
And now let's check out and one of the big principles is showing numbers or what we call neck pressure, creating neck pressure where the head becomes an anchor point anchors in a tracking position. That front shoulder scap protraction for those kinetic nerds out there, is coming underneath the front chin, shoulder's sliding under the chin, head is holding it's anchored tracking position.

3:01
And you're going to see Fernando Tatis Jr. in these hitting mechanics, you can see him show his numbers on his back because of what that front shoulder is doing moving underneath to pass the chin.

Hiding Hands – Scap Pinch

3:14
The other thing he's doing the other big one is the scap pinch. Some of you might know it as a scap row. You can see the back elbow will peek out behind him. Again the head is at an anchor point and he is doing like a rowing motion with that back arm and scap, and you'll see that back elbow peek out from a pitchers view. Does a very good job.

3:41
We also call this like wringing the towel out, so the head is the top one and the neck, and the shoulders are at the bottom and we're wringing the towel out. The head anchors in a tracking position and the shoulders rolling beneath and their limitation… They're limited by how much the head allows them, front shoulder allows the front shoulder to come in, and then it's also about the back shoulder retracting the scapula retracting back. It's all limited by the head in the tracking position.

Downhill Shoulder Angle

4:09
The other big principle of the three big Catapult Loading System rules is a downhill shoulder angle. Now Fernando Tatis Jr. in his hitting mechanics, he doesn't really get a really high back elbow, you see some hitters like trout will do to angle those shoulders down. He actually keeps his back elbow about the height of his back shoulder.

4:32
But you're going to see this front shoulder dip down a little bit almost like we talk about to our hitters, like the alligator when greater less than signs. So the front shoulder and hip becomes a closed alligator and the back shoulder and hip becomes an open alligator.

4:50
So we want to close the alligator on the front side, so we angle the shoulder slightly down again, slightly down between 6 to 10 degrees down and that goes for both fast-pitch softball and baseball slightly down. If you do it too much, you're going to end up with a big fat uppercut, slightly down, and then we turn from there. Okay, those are the big three of the Catapult Loading System principles.

Staying Sideways with the Back Foot…

5:13
Let's touch on, see how he stays sideways with that back foot. In baseball and softball, we're dealing with 90 degrees of fair territory. So we have to manage our bodies effectively within that 90 degrees.

5:29
To do that we can't over rotate our lower half rotation is okay, at the lower back but not too much. 7 to 12 degrees of rotation is what the lower back the lower lumbar is allowed. Seven to 12 degrees of rotation. The bones in the lumbar aren't made to rotate, they're only made to flex and extend. You can check it out, research it. They aren't made to rotate. The rotation that you see is from the muscles surrounding the bones.

5:58
So we want to allow the lower half to decide our directional force or guide our directional force between the 90 degrees of fair territory. So we do not want our hitters over rotating. What we commonly see is that back foot over rotating.

6:14
But you're going to see here, in this Fernando Tatis Jr. hitting mechanics video is, you're going to see that back heel not rotate all the way over like you see a lot of young hitters do, and he'll actually push it backwards. You can see it going backwards right here. He gets it almost to vertical, and then he pushes it backwards.

Shifting Foot Pressure?

6:33
We call this at Hitting Performance Lab, shifting foot pressure. So what generally happens is we'll see foot pressure on the outside of the back foot, at this point at the stride, all the way to the touchdown, inside of the front foot.

6:47
Then when stride touchdown hits, you're going to see Fernando Tatis Jr. hitting mechanics, he is going to shift his foot pressure to the opposite sides of each foot. So where he's inside the front foot, outside the back foot. Now you're going to see him shifting to the inside of the back foot, outside of the front foot.

7:07
Simple move sideways. You can practice this in your bedroom just shifting back and forth like a dance, shifting your footwork back and forth. Each foot sideways is going to be opposite of the other, where the foot pressure is. So as the swing starts, you're going to see foot pressure outside. Again, back foot. It's going to shift to the inside of the back foot outside of the front foot. You're going to see him stay inside, see the back heel, you might see it get close to vertical but you're never going to see it pop over towards the plate.

7:40
And then you'll see him actually shift it even farther backwards behind him where we say trying to line up this back butt cheek with the back heel, see the outside of the front foot foot pressure, see it go from inside, to outside, and then the back foot… we're going from outside to inside. And then as he's swinging here, you're going to see that back he'll push even farther behind him.

8:07
You can see the bottom of his cleat here, again, remember this pitch was up and in. So you're going to see more the bottom of the cleat, especially when it's middle in possibly middle up depending on how close the ball is, you're going to see the ball or the, you're going to not see as much of the bottom of the front cleat if the ball's middle away or middle down.

8:26
But you can see that shifting foot pressure beautiful for keeping the hitter effectively between the 90 degrees of the field. Alright, remember in this Fernando Tatis Jr hitting mechanics video we talked about:

  • Fan-graphs and a few stats there and how he's 6'3″, 185 similar to the long lanky Ted Williams body back in 1938 or 39 when he broke into the league.
  • We talked about some examples of the Big Three the Catapult Loading System that Fernando Tatis Jr is using, and
  • We also ended on how he stays sideways using the shifting foot pressure and using his lower half effectively.

9:09
Make sure that we're swinging smarter by moving better. And before I let you go…

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How To Wind Up The Body To Deliver More Force

Jaime Cevallos Part-2 Interview: What are the 3 most Important Things to Consistent Power?

 

 

In case you missed any of the 3-part series…

Here's what we're going to discuss in Part-2 of the Jaime Cevallos interview:

  • What are the BIG-3 for consistent power?
  • How do you wind up the body to deliver more force?
  • What is the Main Thing that Separates the Great Hitters from Average?
  • What are the 3 most Important Things to Consistent Power?

The following is the transcription of the above video.  You can find Jaime Cevallos at the following places:

Enjoy!

 

What are the BIG-3 for Consistent Power?How To Wind Up The Body To Deliver More Force

Joey Myers  00:06

…the application of it basically. And in the beginning, there was the big three is what I call it. So that was showing the numbers, so hitters showing their numbers to the pitcher, there was the downhill shoulder angle. So that's the side bend side of it. And then there was the hiding of the hands.

 

Joey Myers  00:20

And I know you came to kind of a conclusion about that front arm shape being barred out or even slight bend, but pretty close to being barred out. So, the hands don't necessarily they used to teach walk away from the hands, right? So that to me is translated as the hands going back towards the catcher, but it's actually should go back at an angle back where we say hiding the hands from the pitcher. So, the hands should end up at landing somewhere above or behind the back heel.

 

Joey Myers  00:49

So if the pitcher is watching this hitter, and again, go look at Mike Trout, go look at JD Martinez. Go look at Mookie Betts. Look at all these guys and you'll see them number one, showing their numbers. Number two, not all of them have a downward shoulder angle but many of them do; Miggy Cabrera, Ted Williams if you want to go back in the day, a lot of hitters in the Stan Musial, they used to say that it looked like he was a little kid peeking around the corner. Right.

 

Joey Myers  01:16

And it was that the showing numbers part of it. And you see them all hiding their hands. So, from the minute they start to at landing, you see their hands disappear. So those are the big three and what's happening fascia wise is we're taking the front shoulder, we're taking the front shoulder and we're bringing it down and in towards the back hip.

 

Joey Myers  01:37

So that gives you that slight down angle and it gets you… we've evolved showing numbers to more creating neck pressure. Because every hitter is different, you and me being a little bit older, although we do a lot of movement work on our own body so we probably move better than people our age. But a lot of hitters are different in how far they can get their head here because one of the biggest…. one of the biggest things that people hated was showing the numbers was that, well, it pulls the hitters eyes off the ball.

 

Joey Myers  02:04

And yeah, if you do it too much, but the head's got to anchor down in a position, so if I go sideways, so the head's got an anchor in a tracking position, not necessarily square off to the pitcher, but intercept where the balls coming in.  All Dr. Peter Fadde's stuff and head anchors and then we just pull that shoulder underneath as far as you can. And that's going to create some tension in the neck.

 

Joey Myers  02:28

So it's like a wringing towel, like we're wringing a towel out. So, where your head is on top, the top hand and that your shoulders are the bottom hand, and we're just wringing as far as we can. We're taking that spine, that section of the spine, and we're just bringing it as hard as we can until landing and then we just let it go.

 

Joey Myers  02:44

So it's kind of like, I call it more of a spring than some people call it rubber bands like get the rubber bands really tight and then let them go like a rubber band system. Kind of but it's more it's more spring, springy. So those are the big three if you connect the dots between what fascia is what the spinal engine is, it's easy way to think about it is a wringing towel, like you're wringing the towel, it's loading that system up and then letting it go.

 

Joey Myers  03:10

And like I said, I ran quite a few swing experiments that proved that showing numbers versus not showing numbers, you add between four to six miles an hour bat speed, and I can't remember if I did a ball exit speed one, but bat speed and ball exit speed are very similar. They're like first or second cousins. So it's very translatable. The down shoulders added four miles an hour of speed. And the showing numbers I think was three miles an hour, or one to two wasn't quite as much. The big one was showing the numbers or creating that neck pressure.

 

Jaime Cevallos  03:41

So what this does is it winds up the body so that you can then deliver more force…

 

How do you Wind up the Body to Deliver more Force?

Joey Myers  03:48

Yes, yeah, it takes the slack out of the system. So slack being a little different than what how the human body because we talked about it's more compression tension forces that's taking slack out, but it's almost like If you think about a car that goes into a ravine and then you have a Jeep with a winch on the front that you can take the cable, hook it up to the bumper of the car that's been dropped in the ravine and to pull that car out, right, so you turn the winch on…

 

Joey Myers  04:15

And if you have slack in the cable that's connected to the bumper, and you turn that winch on right away, because there's slack in the cable, it's going to just pull the bumper off, it's not going to pull the car out of the ravine.

 

Joey Myers  04:25

So what you have to do first is after you hook it, hook the bumper, is you got to slowly take that slack out of the cable of the winch line and then turn it on and it'll pull the whole car out. So that's slack versus no slack. Some people out there have been on a what a toboggan on the lake, and you've been on a boat pulling you along, and you're holding on to the ski line or whatever you hold on to the ski bar, right and they're pulling you along.

 

Joey Myers  04:52

And we had a buddy who did this with us. And at the time, I was super strong. I was lifting a lot and he goes I'm going to do it as hard as I can to you, alright do it, bring it, bring it, man. So, he got it to where he's pulling me at first. So, there was no slack in the line; line was nice and tight. And then he got me to where I started coming up to the side of the boat. So, he kind of slowed it down a little bit. And then I started kind of floating up and started putting slack in the line and then he floored it! And boom, and that I held on and there was one time I think I ended let go, but that amount of force all at once. It was a slack in the line.

 

Joey Myers  05:30

Oh my gosh. So what happens is…

 

Jaime Cevallos  05:34

You're lucky you didn't hurt yourself.

 

Joey Myers  05:36

Right? Yeah, dude, we were like 25 years old, right? ever get hurt. But that's the thing. So when youth hitters, a lot of times what I see is these coaches say, keep your shoulders square. Don't show your numbers to the pitcher for all these different reasons we can go into some other time, but they want the shoulders square. They don't want you tilting them. They don't want you turning them in. They want them square and then they want the hips to do everything.

 

Joey Myers  06:04

And so what's happening is it's putting slack in the system. Because to take slack out we just talked about is like that wringing towel, we have to wring the towel and then let it go. And that's where you get a nice powerful move, consistently powerful move, and it's safe on the spine versus the opposite where the coach wants this shoulder square doesn't want any turn it in or down or anything like that. And they want the swing powered by the pelvis or the hips, they say explode the hips, load and explode the hips.

 

Joey Myers  06:34

And what happens there is you're taking the equipment of the lower back, the set of five vertebrae is in the lower lower back, who actually are not made to rotate. They're not made to, they're not built to rotate the bones. Okay. All they can do is flex and extend. The rotation that you see is about seven to 12 degrees and this is via Tom Myers, and a pretty prominent, I can't remember his name right now, physical therapists been around forever in the strength conditioning world [Charlie Weingroff, DPT, CSCS, a physical therapist, a trainer in New York City, and is pretty high up on the human performance food chain], seven to 12 degrees of rotation is all it's allowed because of the muscles surrounding those bones.

 

Joey Myers  07:13

So that's the rotation you see is that set that seven to 12 degrees rotation, you see, is because of the muscles surrounding the bones.  The thoracic spine, so shoulders and then the rest of it that attaches up to the top of the lumbar, the lower back is made to rotate is actually made to rotate 40 degrees, four-zero in both directions.

 

Joey Myers  07:34

So I should be able to do a good moving human body can move 40 degrees to the left and rotate 40 degrees to the right. So when you employ a part of the body that isn't allowed to rotate, to rotate and to not only rotate but explode, like absolutely explode. Now what happens is we start wearing holes in the lower back, we see back spasms. We see herniated discs. 

 

Joey Myers  07:35

We see all kinds of stuff in the swings we were referring to earlier about the barrel moves the body, not the body moves barrel. So those ones that are teaching barrel moving the body, what I see in those swings is I see these hitters on Twitter where their back is arching their arching and you can almost draw for righties, you can draw a reverse C shape. And for lefties, you can draw a C shape like from their head, down their back and out their leg because they're arching so much you can see this kind of C shape going on.

 

Joey Myers  08:32

And the problem with that is extension is okay, so if you arch your back in just a normal, a normal sagittal plane like a front to back plane, like you do a lunge or squat in a normal extension is fine. An arching of the back is fine. You see a gymnast when they swing the bar when they're swinging under the bar, right? You'll see them go into a globally flexed position where their spine kind of looks like this and then as they swing through, they go into a globally arched and global just means the whole body is arch. There's not one little point that's arched, say like in my head if I went and I just dropped my head back and I went into an extended position with my neck and not using my body as well, that's that would be a local extension.

 

Joey Myers  09:17

Those aren't usually good when they're coupled with their rotation. So, when the hitter is going into an arched position, that by itself isn't troublesome. But the minute you add a rotation in with that, now, when you arch you're pushing the vertebrae together in your back when you arch. Okay, now that again isn't a big deal, but the minute you start rotating, now you're grinding and that is a problem and that's what I see when you teach hitters the barrel moves the body and to snap the barrel back way back here.

 

Joey Myers  09:51

When I see those swings, I see those hitters arching their back and turning and it just makes me want to throw up because these coaches either, they're, it's like a cat, right? Cats are either really, really smart or they're really, really stupid. And to me, it looks like those coaches don't know any better. And they're getting their information from some guy who doesn't know any better, who knows better, but he's not teaching the right thing and it's just it's horrible to see these young hitters doing that.

 

Jaime Cevallos  10:25

So, what you would say is the main thing that separates the great hitters from the average or the just the good has to do with this sort of building tension not creating slack in the torso area and the upper legs basically, of the body.

 

What is the Main Thing that Separates the Great Hitters from Average?

Joey Myers  10:51

Right, exactly. So if you go back and Ted Williams you look at Stan Musial, you look at even Babe Ruth, and not all of them have them have every single principle like they could have and they could have done better. You could even look at Tony Gwynn, right? There was an article I do that every time I put it up on social media, I said something in the article or in the headline to the effect of, could Gwynn have had more power?

 

Joey Myers  11:16

And I just did an analysis and took a look at his swing and pointed out areas where he could have maximized or optimized power. A lot of people don't like that. You know, Tony, how could you be? You know, how many hits? Did you get the big leagues in? How could you take on Tony, when you don't know what you're talking about?

 

Joey Myers  11:31

I was like, no, it's dude. It's a thought experiment. I'm not going after the guy, right. He didn't want to hit for power. Although, when he had his talk with Ted Williams, his power numbers sure went up a little bit because Teddy told him, Hey, you might want to pull the ball and own your pull field a little bit more. And that year after he had that talk with him, I think he went from like 11 home-runs a season I think he hit maybe 20 or 18 or something like that.

 

Joey Myers  11:54

But this idea that Ted Williams is probably one of the best one of the best at it, you see the showing numbers, or his in his case “the number” nine, you see his down shoulder angle. You see him hiding the hands. You see this locked out front lead arm when he started his swing.  Like he's got it all, all of it.

 

Joey Myers  12:14

The only thing I don't agree with that it's not a bad thing per se. Extra motion, is the idea where he turned his hips in slightly. So, he kind of turned the hips in like he was turning towards the catcher. And I did this read a book you know that in high school and college and stuff like that because that's where I thought power was in the pelvis.

 

Joey Myers  12:37

But if you think about, when I turn my hips in and I'm creating my neck pressure showing my numbers and I'm pulling the shoulder in well if my hips going away from my back hip, which I'm supposed to be taking my front hip and bringing or my front shoulder and bringing it to my back hip, with my back hip is going away and my front shoulder is chasing what you're continually chasing. So, you never get to that point. Right?

 

Joey Myers  13:00

So if we just keep the pelvis in neutral, so belt buckle, pointing at home plate we don't inward turn or anything, and just let the shoulders do what they do. Creating neck pressure showing numbers going into that position there. Then now we're compressing where we need to and what happens is when you inward the pelvis and we're seeing data on this, ZenoLink.com – Chris Welch.

 

Joey Myers  13:26

So he does a lot of experimentation. He's kind of physical therapist guy, and very, very knowledgeable and he's got a lot of data. He's got force plates he's got all this different stuff. And so, I had one of my online hitters went to him, Chris's on the East Coast, went to him to go through all his testing evaluation stuff.

 

Joey Myers  13:45

And Chris was saying that this particular hitter's barrel speed was super maximized behind him, which is again, the same people that teach barrel swings the body right so the barrel speed was increased or was maximized behind him, but by the time he got to impact it was slowing down. So answer that, how are we teaching something that's actually slowing down your barrel by the time you get to impact…

 

Joey Myers  14:15

And there's a couple different factors in that we can go into if you want, but that was the whole thing he was in inwardly rotating his pelvis and he was a lefty. So he was taken in rotating his pelvis in towards the catcher and then get to landing and then he would he would rotate, he would rotate back, you know the pelvis back and explode into the ball, but that was causing him to have a premature maximizing of bat speed. It wasn't helping him it wasn't maximizing his ball exit speed.

 

Jaime Cevallos  14:46

Now, so the most important thing, you mentioned three things, say those, again…

 

What are the 3 most Important Things to Consistent Power?

Joey Myers  14:54

The spine, of the spine?

 

Jaime Cevallos  14:57

Well, just that I think there were just three things that were…

 

Joey Myers  14:59

You're talking about?

 

Joey Myers  15:02

Oh, oh, oh…the three things the big three, okay, so showing numbers or create neck pressure.  If I'm here, I'm here. So, my head anchors in a tracking position, shoulder comes pulling underneath as far as I can just like you're wringing a towel out right, my head and my shoulders. I'm bringing that towel out, creating pressure in the neck. So that's number one that's showing numbers neck pressure.

 

Joey Myers  15:27

Number two is downward shoulder angle. From this view, is more of a slight down shoulder. So, it's like you're doing a side bend. So, the shoulders the back shoulder goes up, the front shoulder goes down. And with that, you don't want it to be too much. The sweet spot there is like six to 10 degrees down so it's not a lot, but what helps a lot of times is controlling where that elbow goes.

 

Joey Myers  15:54

I back this up a little bit, give you guys a little bit more room. If I can use my elbow to pull the elbow or pull the, or bring the shoulders down, steer the shoulders down. That's a way to do it. But you can also focus on taking this front shoulder down and then towards that back hip that'll help to create this down shoulder. Right.

 

Joey Myers  16:14

And what's interesting in the swing, if we want our body to accelerate and decelerate properly, is we want the shoulders to start down. And then as we swing, then they're going to tilt. This front shoulder starts down, left shoulder, and then as I swing, it's going to go up. And then in my finish, think about the Ted Williams pictures and Lou Gehrig and Babe Ruth and all these guys, how did they finish they end up finishing in this position.

 

Joey Myers  16:45

So what we should see is we should see… left shoulder starts down, pops up, and then it should end down. So down, up, and then down on the finish. You know those Ted Williams pictures where he's like, position right. It's this one, it's his left shoulder as a lefty starts, or he starts here. His left shoulder here starts up, and then it goes down. And then it finishes up. Right. So that's a proper accelerating decelerating into the spine. So that's the second thing that's the down shoulder.

 

Joey Myers  17:23

And then the last one is the hiding hands from the pitcher. One more time again. We got so if I start my swing, this way, you can see my hands and the minute I get to landing, I'm creating what you see this back elbow peeking out behind me. So that's they call it a SCAP row, or SCAP load, SCAP pinch wherever you want to call it. So that's the move there. Where now you can't see my hands.

 

Joey Myers  17:49

And now what I'm doing is this front shoulder for those those Kines geeks out there. The front shoulder is a Scap protraction so the scalp is coming in the scapula is coming this way coming across. And then my back SCAP is retracting. They're doing the opposite of each other protraction retraction, right?

 

Joey Myers  18:10

So if you watch any gymnastics, or Olympian doing a spin, ice skater, if they do a spin, that's what you're going to see. And a lot of people out there will say, Well, I like to scap pinch, but I don't want this front shoulder coming in. And like you're not, that's not how the human body works, dude, you're not getting 100% optimization out of the rotation.

 

Jaime Cevallos  18:35

So the showing numbers has been something that people didn't want to do?  I was not aware of that…

 

Joey Myers  18:41

It was and still, yeah, it's crazy.

 

Jaime Cevallos  18:45

Why did they say you didn't want to show numbers?

 

Joey Myers  18:47

Good question. The irony by the way, these same people that don't like it, swear by video, swear by video analysis. They say well we're going to look and see what the best hitters do and that's what we're going to do.  And you see them do it. You can again look at Miggy look at Ted Williams look at Trout look at just look at the top 10 power hitters right now and even in the in the day, and you see all of them do it.

 

Joey Myers  19:13

So I don't understand why they're all about video analysis, but they choose to see what they want to see. Right. So what they say is the problem they say with it is that it takes the hitters eyes off the ball, but I just talked about, we create neck pressure. The head is the important part. That's the piece that's the anchor. It's like a boat and I ask my hitters, what does an anchor do on a boat, it either stops the boat or it slows it down, right?

 

Joey Myers  19:37

So the head is the control piece. Wherever the head goes, the body follows. So the head takes a tracking position and anchors down and then it's the shoulder that comes in as far as it can while we're wringing the towel out. And that's what's going to get you to the show numbers.

 

Joey Myers  19:53

Now lefties if you watch lefties because the camera angle at Major League ballparks is slightly off center towards left field right… (To be continued in Part-3…)

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Javier Baez Swing Analysis

Javier Baez Swing Analysis

,

Javier Baez Swing Analysis: Why Inward Turn Of Hips Is Wasted Movement…

 

 

Hey, what's going on it's Joey Myers from the Hitting Performance Lab, and in this Javier Baez swing analysis, we will cover:

  • Fangraphs metrics,
  • Over-rotation of low half during pre-loading phase,
  • Amazing C/T spine mobility (neck pressure), and
  • Barrel tilt…

Here's the transcription from the above video…

 

Javier Baez Swing Analysis FanGraph Metrics

Javier Baez Swing Analysis

Javier Baez photo courtesy: MLB.com

Let's get into the fan graph metrics. As you can see here, look at the six foot, hundred ninety-pound Javier Baez in the swing analysis we'll be looking at in 2019. You can see his line right here. You can see a .281 batting average, 38 doubles, four triples, 29 homers, and you see a big giant balloon over here, one hundred fifty-six strikeouts and only twenty-eight walks.

Now, if we look at his line when it comes to ground ball, fly ball, line drive percentages, and his fly ball home run ratio and his pull and hard contact numbers, we look at his line drive rate being eighteen point one. You can see his averages over the amount of years he's been in the Bigs is 19. So, a little bit down from his average.

You can see his ground ball percentage was up quite a bit, fifty point three, which was down in prior years as low as 44 percent and 37.3 percent.

You can see the average line drive rate is 20 percent or so. So as long as they're around 18 to 22 percent, that tend to be about league average. The ground ball percentage, league average is about 43 percent or around 40 percent. You can see he's well above average on the ground ball percentage and fly ball percentage typically floats around 37, 38 percent at league average.

So you can see he's below well below average when it comes to the fly ball percentage homerun to fly ball ratio, the percentage at 24.4, league average is around 9 to 11 percent. So, if he gets the ball in the air or his fly balls, the percentages of his fly balls going out are almost 25 percent.

What's also interesting to note is if you look over at his soft percentage contact medium and his hard contact percentages, you can see that his medium actually outweighs his hard percentage contact. Some interesting things going on from this Javier Baez swing analysis, might shed a little bit of light on that.

But I thought interesting to note that his hard ball contact percentage at 37.4, you can't see it on the screen, hard contact percentage. And then you can see as medium here is 44.6.

 

 

Over-Rotation of Lower Half During Pre-Loading Phase

All right. Let's get into the Javier Baez swing analysis, and the breakdown of his mechanics. Let's give this a little context. This is a two thousand nineteen swing, I think, in May or so. And this pitch looks like a ninety-one mile an hour slider that ends up, as you can see in the K zone in that lower outside quadrant. And he hits this one out to right center a little bit more towards center but right center.

One thing I want you to take a look at is over rotation of the lower half. This is something I think Ted Williams said in The Science of Hitting. And a lot of instructors out there will take this to the extreme. And they think that by turning the pelvis in towards the catcher, so imagine a hitter’s belt buckle turning in to face the catcher. Like there was a flashlight coming out of the belt buckle and that you're shining the flashlight at the catcher to get the hips some momentum.

Now, I think this is wasted movement when it comes to function of the spinal engine. Not my opinion, but if we look at springy fascia, the spinal engine, what we want is we want to see this front shoulder … we'll get a chest view here in a second … we want to get this front shoulder to go down in and towards the back hip. And we want this back shoulder to move away from this front hip.

When you move the pelvis in or you move the front hip bone in along with the shoulder, is that now the hip and the shoulder are chasing each other instead of doing the opposite in what we would find in a wringing towel type of scenario, whereas one hand being the shoulder, the other hand being the pelvis.

We're seeing a lot of these coaches that will say if and when the pitcher shows you his back back pocket, then you show them yours. This is clearly what Javier Baez is doing in this swing analysis. You can see him really showing his back pocket versus this neutral position that he starts off in, really rolls in with that hip.

Now, if we take a look at another hitter, Khris Davis of the A's, this is the 2018 swing of his. But he actually steps in the bucket a little bit. You're going to see a little difference to the hip positioning. Khris Davis really doesn't waste any motion pulling that belt buckle, this flashlight on the belt buckle, trying to shine it in the catcher's eyes. He actually keeps it in a neutral position and steps out. Into the bucket.

What both of these players do really well, and I think, Khris actually does better than Baez is because of the lower half over rotation in the pre loading phase of the swing before stride touchdown, we see Khris will keep his hips in a neutral position … but will use this neck tension, which we'll talk about here in a second to counteract. And he's really good, Khris, at going the other way, where he hits this one. This is a 94 mile an hour fastball somewhat up in the zone. And he hits this to straight away center.

He does very well going to the opposite field, even though he's stepping out now, I wouldn't advise young hitters to do that. And we have a stride drill that fixes getting the stride more in line.

Khris makes this work because of the way he uses his spine. Here's a chest view of Javier Baez swing analysis, it's a little angled here, but you can see that kind of over rotation of the pre loading, pre loading phase of the pelvis, the lower half versus what Khris Davis was doing.

You can see him really coiling up with the lower half, which he really doesn't have to. And you're seeing the what I was talking about is taking this front shoulder down and in towards a back hip and we should actually see this front hip move away from the back shoulder.

When you bring that front hip in, you're chasing the back shoulder instead of moving away from it, which that's how springy fashion works, how we load the body like a spring or a catapult. And we want to bring that front shoulder down and in which he is doing. But when you turn the pelvis, it's almost like the corresponding shoulder is chasing the corresponding diagonal hip bone.

Now, if we look at Khris Davis on the same swing, you know, this view's a little bit more chest view than the angled version we're getting with Javier Baez. But you can see that that hip stays in neutral and then you'll see him bring his front shoulder down and in towards the back hip and you'll see this front hip move away from the back shoulder.

Some people might call this the scap load that is covering this line here, this diagonal line to scap load. But we also that's a retraction of the back scap. What we should see is a protraction of the front scap or the front shoulder moving down and in. So, we're going to see the hitter’s numbers when the hitter does that. We should see both moves, not just one. And you're seeing Khris Davis do this very well because he keeps his pelvis in neutral.

You can see here and just lets his upper half preload and let his lower half just do what it does and let it open as it does to take the rest of the slack out of the spinal engine.

And one more quick thing before we move on from this in this Javier Baez swing analysis … as you can see, as he coils up him in Davis, pretty much end up in the same spot, at landing. Look at where his pelvis is at landing. So, it's almost like he gets a running start with his pelvis. I don't think it really relevant because we're getting the same effect with the bounce effect with Davis as we are with Baez. It's just I think Baez's closing himself off more. And I wouldn't teach this to young hitters.

I wouldn't over rotate the pelvis or turn the pelvis inward towards the catcher to landing, because at landing, you see he's in the same position. And as long as he's getting his neck pressure, which will be transitioning to here, as long as you get into neck pressure, he'll be wound up top. And then once the lower half starts to open, as he starts to swing that rest of that slack, will get taken out and then everything will go as it's supposed to.

Amazing C/T Spine Mobility (neck pressure)

Now, let's talk about creating neck pressure. The idea of this is like wringing a towel out except for one hand represents the head, the other hand represents the shoulder. So, the hand's turn in opposite directions. And what we're trying to do is it's not so much about how much of the numbers the hitter shows, although Javier Baez in the swing analysis, you can see you can see everything. If he had a triple digit number, you could see three digits on his back. You can see his back elbow. You can see all the way across the shoulders. If he had a 20-word last name, you could see it from armpit to armpit. You can see pretty much everything, almost his rear oblique. You can see because he's shown his numbers so much.

Whereas we look at a Khris Davis on this one. Similar, but not quite as turned in because he's not turning the pelvis in. He doesn't have to. He can create this Catapult Loading System just by keeping the pelvis in neutral and let the pelvis open when it does. He needs to create that bounce with the lower half, create that neck pressure up top.

You can see that he's locked in, his head is anchoring a tracking position so he can track the ball and keep vision on the ball. It's not this idea of what some of these coaches call “false separation”, which when these coaches show on video, what false separation is there over rotating the upper half. Now, we don't want to over rotate. We can't lose sight with the back eye. And that's not Davis here. Maybe he is. He is clearly along with Baez. They are clearly showing their numbers, showing their last name. You can see that is clear as day.

There is a pro attraction of the front scap. There's a retraction to the back scap. You're seeing both of those things happen in two different hitters on two different teams. And what both of them do are doing and having common is they are wringing the towel out head and shoulders. The head creates an anchor point. Their shoulders rotate under the chin as far as they can while creating this neck pressure in the T1 (Thoracic section of spine, vertebrae-1) and C7 (Cervical section of spine, vertebrae-7) area.

So there's like a two, three-inch area that if the hitter does this right, they create that pressure there with the head anchored with the shoulder pulled under as far as it can do. And they'll feel this pressure up until the turn and they can go from there. That's taking slack out of this system early. If this doesn't happen, there is going to be compensation somehow in that there may be a front shoulder pulling out early. There might be a barrel that's dumping deep and early into the zone to try and hurry up, get the barrel to the ball.

But above all, hitters must, even hitters as young as eight, nine, 10 years old need to feel that pressure if there is going to be power the minute that pressure is taken off between the head and the shoulders, that is when we'll be letting air out of the balloon.

The reason that I've moved to more of a neck pressure, creating neck pressure versus showing numbers is that every hitter is going to be different when it comes to their mobility in their neck and their thoracic spine or their shoulders being able to turn the head this much as much as Baez or Davis. Davis isn't quite as much there. Maybe it's just with Baez because he's inward rotating his lower half. It's allowing him to turn more.

I think that again, hinders it can take our vision and tracking off the ball if we do this with younger hitters, what Baez is doing. So, I would recommend more of what Davis is doing, albeit without the stepping out part of it. But we want to create the neck pressure. That is the rule. That is the principle, the movement principle, the wringing towel principle to the Catapult Loading System in spinal engine, springy fascia.

It is not so much to show both numbers. The numbers will probably show, but it will depend on the hitter’s mobility in their neck. So, every hitter might be different.

 

Barrel Tilt

One last thing in this Javier Baez swing analysis is the barrel tilt. There are some coaches out there that like this barrel till where you can see where Baez tilts the barrel towards the opposing batter's box or kind of off towards first base and to get the barrel momentum going into the swing.

Now, this might be something that Baez needs to do because he is rotating that lower half inward towards the catcher. And to get some barrel momentum is going to help him to get around, especially on pitches in pitches up in the zone.

I don't teach this per se. I don't think it's a bad or good thing it can be a bad thing. If they tilt too much and I think Baez in the past has tilted too much and it's got him in trouble, it causes more of an uppercut type of swing. I've had hitters that do this and they hit the ball in the air more often than the hitter that doesn't tilt the barrel this much.

We've seen Donaldson from I think it was 2013 to 14. He was tilting too much and we saw his fly ball percentage go up and his batting average go down. So, I would not really mess with this too much as long as we are creating that wringing towel effect between the head and the shoulders, creating the neck pressure.

And we are what I like to tell my hitters is to act like there's a skewer going through their hip bones that is keeping him on a straight line, keeping hip bones on a straight line towards the catcher. And they just slide along that skewer until the front foot hits the ground and they can turn out of it, but they can't turn into the skewer up until landing … has to stay in a neutral position and they manipulate the neck pressure at the top to create the tension that we need to be able to instantaneously swing the bat and increase our ball exit speeds.

The barrel tilt is just not something that I would teach my hitters. I would let my hitters do it. But if it's affecting their fly ball, line drive, ground-ball ratios and we would definitely change it. Now, I hope you like this Javier Baez swing analysis. Make sure that you're swinging smarter by moving better.

And before I let you go…

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