Fernando Tatis Jr Baseball Swing Analysis Part-2 YouTube Thumbnail

Arm Bar Like This Fernando Tatis Jr Baseball Swing Analysis?

 

 

Here's what we're talking about in this Fernando Tatis Jr baseball swing analysis:

Fernando Tatis Jr Baseball Swing Analysis Part-2

Fernando Tatis Jr Baseball Swing Analysis Part-2 photo courtesy: MLB.com

  • Distance between feet – Getting to a balanced position on our stride,
  • Staying sideways with lower half – most still want to pivot on back foot instead of with the hip, and
  • Front arm shape – Arm bar a problem?

The following is the transcription from the above video.  Time stamped of course, so you can skip ahead if you'd like. And in case you missed Part-1, then check it out Here.

Enjoy!

00:38

Remember, in part one, we went over some fangraphs stats, Fernando Tatis Jr. We talked about catapult loading system principles and how he uses them in his swing. And we also talked a little bit about staying sideways there as well. We will go in a little bit more depth in this video.

 

Distance between feet – Getting to a balanced position on Fernando Tatis Jr baseball swing's stride

 

00:56

Let's talk about the distance between the feet and getting to a balanced position in the stride. First, I wanted to give you a little context between these pitches, the one on the left, I think both of these are 2020. The one on the right we talked about in part one, but this one is a low and in breaker. Slower than average pitch.

 

01:18

And then this one over here, if you remember was a fastball up and in. Just to give each context there. On the left, we'll go… there's three swings over here. The first one will be this one, and then the other two I don't have the pitchers view on, so we will look at the distance between the feet.

 

01:37

One of the things that elite hitters have in common is they get distance between their feet at stride landing and during their turn. A lot of young hitters tend to either be too narrow, don't get a long enough stride or if they skip their back foot they skip too far, creating more of narrow feet during the turn itself.

 

01:55

Elite hitters don't do that, elite hitters will create distance between their feet. It makes for a more athletic position and allows them to be able to, if they want to use their knees to get to pitches down in the zone like a Cody Bellinger or an Anthony Rizzo or Dustin Pedroia, they can do that.  With narrow feet during the turn, it's not going to happen.

 

02:16

So as this also applies to getting to balance at your stride landing, you're going to notice that in Fernando Tatis Jr baseball swing, that he is not going to be very heavy on that front foot as he lands. You can see that, and we'll get to this a little later in the video, this idea of shifting foot pressure. But if we look at this little ride or float, we like to call the float, Matt Nokes calls the ride and then the stride or the fall we call it the float in the fall.

 

02:49

You can see that there isn't a 100% commitment to the front leg yet. It's a little bit more uncommitted, feeling out, being more controlled, and there's different drills that you can do for this you can put weight on the front foot, like a band pulling the front foot forward or the band pulling the hitters body forward wrapped around their waist, and the coach is out in front pulling the bands, and the hitter's got to resist the band.  Got to resist gravity from landing too hard and heavy on that front foot.

 

03:17

But that's what you're going to see. You're going to see that distance between the foot and as he begins his turn, you will see him maintain the distance between his feet. Look out over here. Very light and hover-y with that front foot at landing. And you see there's a little bit of a glide or skip of the back foot.

 

03:46

Here's another swing.  You can see this really controlled fall, it is a fall because you will see him unweight that back leg completely with the skipping of that back foot or the scissoring into that back foot. But at first before the stride foot lands, you're going to see this very tentative with the weight. He's going to get to the end of his hip, front hip and that's going to allow him to rotate without having to shift more during the turn as he rotates.

 

04:31

A lot of hitters, young hitters, will get to landing and then they'll continue to shift forward with their hips as they're turning the barrel.  In both baseball and softball. We want to get to the end of that hip, front hip. As we land, that's it. There's no more shifting of the hip, of the weight. We should be done shifting, then as we start to turn, that head should stay still, shouldn't move anymore once a stride foot hits the ground.

 

05:07

Here's the fourth swing.  You can see this hover, he's still committing his weight forward, but it's controlled. Again, we can stand out in front of this hitter, and we can wrap a band, resistance band around their waist, we can hold the handles and pull them forward and they have to resist our pull forward, that is a way to help with this… not committing that weight 100% at stride touchdown.

 

05:37

We'll get the hip to the endpoint, which is right there. And then as the turn starts, and on this pitch Tatis is a little bit out in front looks almost like a Jose Bautista swing. But that is a way to stay balanced and making sure we maintain distance between the feet.

Staying sideways with lower half – most still want to pivot on back foot instead of with the hip

05:57

Now let's talk about staying sideways. There's this tendency for hitting coaches out there, and for usually the older kids, the younger ones that are under coached tend to do this correctly. But the ones that have been over coached a little bit will tend to want to pivot on that back foot. And these coaches are teaching them to pivot on the back foot to get the hips through. And that's not what we're looking for.

 

06:20

The hips aren't, rotation of the hips, maximum rotation of the hip isn't where power is coming from, not most of the power anyway.  The hips and the pelvis are about 33% of the equation when it comes to the spinal engine. Thoracic spine, the spine is split into three, the cervicles – the neck, thoracic – the middle, the bigger part of the spine, and then you have the lumbar is the lower part.

 

06:43

Those three sections, along with the shoulders, and the pelvis surrounding that are where most of the power is. The pelvis and the hips are a very small percentage of that, 33% or so, if you split it in three. What we see is this shifting foot pressure, you'll see where you got foot pressure on the outside of the back foot, inside of the front foot up to landing.

 

07:14

And then same over here. This is a different angle. But you can see the inside of the front foot here, can see it over on the right and outside, it's starting to shift. And then as the turn starts, the foot pressure on the part of the foot will shift completely opposite side. Back one will go from outside to inside. You can see the insides already starting to shift here on the left pane. Same thing on the right pane, you're also going to see the front foot do the opposite, it's going to go from the inside to the outside.

 

07:47

Staying sideways and making sure we get to the end of the front hip at landing. We're going to see that bowing in here. The inside of the back foot when we see kids turning that back foot. By this point, the foot is almost vertical. And they're turning what we say is with the middle of the foot instead of the inside of the foot. What we should see is what Fernando Tatis Jr baseball swing analysis is doing, one on the left you're seeing a little bit more vertical but then he pushes that heel down and stays inside.

 

08:25

Remember this pitch was the breaker the slower breaker down and in. He was a little bit out in front of this you can tell just by where the barrel is entering the zone. It's not knocking off the real catcher's glove, which is back here. It's actually between the back-foot catcher's glove and the belly button catcher's glove. A little bit out in front, over here on the right, can see the same inside back foot, you can see the front foot clearly go from inside to outside, pushes that back heel behind him.

 

08:59

The hips are for direction, not for 100% complete rotation.  That's not where the power is coming from, the hips set directional force. Here's another swing, same thing outside of the back foot inside of the front foot. You're going to see that all the way until about landing, and then we're going to see the shift happen inside of the back foot outside of the front foot. push that back heel behind them.

 

09:29

Fourth swing, outside of the back foot, inside of the front foot going to stay sideways, we're not going to pivot on that back foot. Like most young hitters do that coaches have taught him to do that. The youngest hitters 7, 8, 9… They tend to do this on their own if we don't touch them. Same shifting the foot pressure. This one he actually scissors is a little bit more out in front than he was on that first swing, and you can see big time skip and hop, don't like the hop so much, but this is just a compensation, you didn't see that in the other three swings, but he is scissoring here to keep his balance on this swing.

 

10:13

You can see our lower half, combination of distance between the feet. This allows the hitter to keep a balance into their stride by staying sideways, and in doing so, shifting our foot pressure from outside of the back foot, inside of the front foot to, during the turn inside of the back foot, outside of the front foot allows the pelvis in the lower half to control and guide our directional force.

Front arm shape – Arm bar a problem?

10:46

Alright, let's talk about is the arm-bar okay?  I hear a lot of coaches out there like to teach the adjustable swing, meaning look away, adjust in, or look in and adjust the way. And when you start facing better pitching that just doesn't work. We can't get to balls and be able to maximize our ball exit speed inside with an elbow bent at 90 degrees.

 

11:08

You'll see in the four swings of this Fernando Tatis Jr baseball swing analysis; he'll do a very good job of maintaining the shape of that front arm.  Maintaining the shape of the front arm will allow consistency in the performance of the swing. And the longer the front arm, the longer the lever is, an engineering principle, the more the force gets multiplied at the end of the lever. It's both power or ball exit speed, batted ball distance, and consistency.

 

11:40

We can get to an inside pitch, or a pitch up in the zone with a straight barred out front arm, but it's when the hitters barrel enters the zone is what really matters. It's not about the length of the front arm if it's getting locked out. As much as it is when the barrel enters the zone, and the coaches that teach the barrel to get into the zone super early, knocking off the real catcher's glove. Are going to have a hard time getting the barrel to the ball on the inner half part of the plate or getting to the ball on the middle up part of the zone.

 

12:16

But it's not because of the front arm shape, it is because of when the barrel is entering the zone. The best hitters in the world change, instinctively, we can teach it but instinctively change when their barrel enters the zone. That's another topic for another video. But let's look over here at our first swing. Fernando Tatis Jr baseball swing analysis, you're going to see that front arm shape almost from the start of the turn.

 

12:45

Again, this one is a breaking ball that was probably 80-ish miles an hour, located down and in the part of the zone.  You can see the arms fully locked out, see where the barrels at?  Barrel is tight to the back shoulder. And then you're going to start to see him unwind and release the barrel, like I said earlier in this video, is going to be somewhere between the back foot catcher's glove… If you can if you can imagine a catcher's glove in line with his back foot, and a catcher's glove in line with his belly button.

 

13:15

He releases it somewhere in the middle of those, being a little bit out in front of this ball and this ball being on the inner, the lower inner part of the zone. See the front arm shape there, is a different angle, but you can still see he pulls in just a little bit here you can see he's a little bit bent. But he works it to get in, it's very minimal. That will screw up consistency a little bit, if we have a hitter that's doing this all the time. Fernando Tatis Jr is doing this to be able to catch up to this fastball.  And this one was remember, located up and in, in the zone, a fastball up and in…

 

13:27

A little bit, but we don't see a 90-degree chicken wing getting to this ball especially at a contact. You can see that front arm shape is complete, almost completely barred out to get to this ball.  And he's got something we'll talk about another video wrist snap, beautiful wrist snap, you can see in this swing, same thing. Watch that front arm shape. From the start of the turn, you see the front arm shape, almost completely barred out slight bend can be argued with it.

 

14:25

Can see barrel’s entering the zone, again we don't have a pitcher’s view of this pitch, but you can see is entering the zone off his back foot. He's releasing that barrel off his shoulder and then slamming it into the back-foot catcher's glove, not in the real catcher's glove because real catcher’s glove you can see is farther away. But he's releasing it off his back-foot catcher's glove.

 

14:51

But look at the shape of that front arm. Got a lot of consistency there and you have a long lever so that at impact it's going to amplify the force at the end of that lever. Last swing, front arm shape, started the turn, you can see it's almost completely barred out. He's a little out in front on this one, remember, probably more out in front than the other three swings.

 

15:27

You can see the blur of the bat, is happening again, he's releasing this into the belly button catcher's glove. Because he's out in front, we'll see that on timing. When they're out in front, we'll see the barrel get released later into the zone, not early. Later. You see that front arm shape is completely barred out on this one. Trout does this too. If he's out in front, and the balls middle away or middle down, you'll see that straight up front arm, but he's a little different when it comes to middle in, middle up especially if it's something hard. Plus velocity, you'll see a 90 degree bend in that front arm…

 

16:04

But you can see boom, completely arm barred with the front arm at impact. This is going to amplify the force at the end of that lever. And because he's keeping a consistent long shape with that front arm to get to this ball, it's going to lead to some consistency. And in this Fernando Tatis Jr baseball swing analysis, those of you who have been charting him in the 2020 season, have seen the consistency throughout the season. Albeit a shortened 60 game college season. We'll see what happens in the playoffs.

 

16:38

Just a quick recap of this Fernando Tatis Jr baseball swing analysis video,

  • We talked about the distance between the feet getting into a balanced position on our stride.
  • We also went into staying sideways with the lower half a little bit more depth, because most still want to pivot on the back foot instead of with the hip, the front hip we talked about.
  • And front arm shape, is the armbar a problem?  And we saw in four separate swings that Fernando Tatis Jr. in his baseball swing does a very good job of keeping a longer front arm, which helps with consistency and batted ball distance.

Make sure that we're swinging smarter by moving better, and before I let you go…

Fernando Tatis Jr Hitting Mechanics: How To Make Contact Sound Like A Shotgun Going Off…

 

 

In the above Fernando Tatis Jr. hitting mechanics video, we're going to discuss:

Fernando Tatis Jr. Hitting Mechanics

Fernando Tatis Jr. Hitting Mechanics photo courtesy: MLB.com

The following is the Fernando Tatis Jr. hitting mechanics video transcription.  After you enjoy this analysis, then check out Part-2 Here.

Enjoy!

0:05
Hey, what's going on? It's Joey Myers from the Hitting Performance Lab, and in this Fernando Tatis Jr. hitting mechanics video, we're going to go over a couple things.

0:13
First, we're going to start with a couple fan graph points of interest, and then we're going to go over how Fernando Tatis Jr. uses Catapult Loading System principles. And lastly, we're going to touch on how he stays sideways using his lower half.

 

Fernando Tatis Jr. Hitting Mechanics Fan-graph Stats…

0:30
A couple things worth noting in the fan-graphs article, as you can see that he is 6'3″, 185 pounds. I may be wrong but that's about what Ted Williams was coming into the league. You could see comparing his 2019 and 2020 seasons, obviously 2020 is going to be quite shortened and 60 games season.

0:53
You can see that with almost half of the amount at-bats, plates appearances. He's got almost as many doubles, and almost as many homers as he did in 2019, where he played in 84 games. And then you can see in his line drive, ground-ball, fly-ball rates that again, this is about half the amount of games in 2019, he played in, and then he's got about half or so that he's played in 2020.

1:24
You can see that, of course, these numbers, the data is going to be a little skewed because there's lower data points, but you have a 22.4% line drive rate league average is 20. Got 16.3 here this year, ground-ball percentage is about average last year 46.6%, or 43% is average. So he's a little bit above average. A little bit even more above average of 48.2 this year, and then his fly-ball rate has gone up from last year. He's at 38, or 30.9%, which league average tends to be, league averages about 34%.

1:58
And then he's almost about average on his fly ball percentage but increasing about 5% from last year to this year. Again, we're talking lower data points.

Catapult Loading System Principles

2:07
Alright, let's really dig into this Fernando Tatis Jr. hitting mechanics video, we're going to look at the Catapult Loading System principles. The best view for these, for most of them, is from the pitchers view. Just to give a little context to this pitch, you can see the location is about up and in, up and in part of the strike zone. And the pitch, you can't see it on the screen. I can't see it on the screen, but it's flashing a nine, here. So it's 90 plus for sure. 92. There you go 92 miles an hour.

Neck Pressure – Showing Numbers

2:34
And now let's check out and one of the big principles is showing numbers or what we call neck pressure, creating neck pressure where the head becomes an anchor point anchors in a tracking position. That front shoulder scap protraction for those kinetic nerds out there, is coming underneath the front chin, shoulder's sliding under the chin, head is holding it's anchored tracking position.

3:01
And you're going to see Fernando Tatis Jr. in these hitting mechanics, you can see him show his numbers on his back because of what that front shoulder is doing moving underneath to pass the chin.

Hiding Hands – Scap Pinch

3:14
The other thing he's doing the other big one is the scap pinch. Some of you might know it as a scap row. You can see the back elbow will peek out behind him. Again the head is at an anchor point and he is doing like a rowing motion with that back arm and scap, and you'll see that back elbow peek out from a pitchers view. Does a very good job.

3:41
We also call this like wringing the towel out, so the head is the top one and the neck, and the shoulders are at the bottom and we're wringing the towel out. The head anchors in a tracking position and the shoulders rolling beneath and their limitation… They're limited by how much the head allows them, front shoulder allows the front shoulder to come in, and then it's also about the back shoulder retracting the scapula retracting back. It's all limited by the head in the tracking position.

Downhill Shoulder Angle

4:09
The other big principle of the three big Catapult Loading System rules is a downhill shoulder angle. Now Fernando Tatis Jr. in his hitting mechanics, he doesn't really get a really high back elbow, you see some hitters like trout will do to angle those shoulders down. He actually keeps his back elbow about the height of his back shoulder.

4:32
But you're going to see this front shoulder dip down a little bit almost like we talk about to our hitters, like the alligator when greater less than signs. So the front shoulder and hip becomes a closed alligator and the back shoulder and hip becomes an open alligator.

4:50
So we want to close the alligator on the front side, so we angle the shoulder slightly down again, slightly down between 6 to 10 degrees down and that goes for both fast-pitch softball and baseball slightly down. If you do it too much, you're going to end up with a big fat uppercut, slightly down, and then we turn from there. Okay, those are the big three of the Catapult Loading System principles.

Staying Sideways with the Back Foot…

5:13
Let's touch on, see how he stays sideways with that back foot. In baseball and softball, we're dealing with 90 degrees of fair territory. So we have to manage our bodies effectively within that 90 degrees.

5:29
To do that we can't over rotate our lower half rotation is okay, at the lower back but not too much. 7 to 12 degrees of rotation is what the lower back the lower lumbar is allowed. Seven to 12 degrees of rotation. The bones in the lumbar aren't made to rotate, they're only made to flex and extend. You can check it out, research it. They aren't made to rotate. The rotation that you see is from the muscles surrounding the bones.

5:58
So we want to allow the lower half to decide our directional force or guide our directional force between the 90 degrees of fair territory. So we do not want our hitters over rotating. What we commonly see is that back foot over rotating.

6:14
But you're going to see here, in this Fernando Tatis Jr. hitting mechanics video is, you're going to see that back heel not rotate all the way over like you see a lot of young hitters do, and he'll actually push it backwards. You can see it going backwards right here. He gets it almost to vertical, and then he pushes it backwards.

Shifting Foot Pressure?

6:33
We call this at Hitting Performance Lab, shifting foot pressure. So what generally happens is we'll see foot pressure on the outside of the back foot, at this point at the stride, all the way to the touchdown, inside of the front foot.

6:47
Then when stride touchdown hits, you're going to see Fernando Tatis Jr. hitting mechanics, he is going to shift his foot pressure to the opposite sides of each foot. So where he's inside the front foot, outside the back foot. Now you're going to see him shifting to the inside of the back foot, outside of the front foot.

7:07
Simple move sideways. You can practice this in your bedroom just shifting back and forth like a dance, shifting your footwork back and forth. Each foot sideways is going to be opposite of the other, where the foot pressure is. So as the swing starts, you're going to see foot pressure outside. Again, back foot. It's going to shift to the inside of the back foot outside of the front foot. You're going to see him stay inside, see the back heel, you might see it get close to vertical but you're never going to see it pop over towards the plate.

7:40
And then you'll see him actually shift it even farther backwards behind him where we say trying to line up this back butt cheek with the back heel, see the outside of the front foot foot pressure, see it go from inside, to outside, and then the back foot… we're going from outside to inside. And then as he's swinging here, you're going to see that back he'll push even farther behind him.

8:07
You can see the bottom of his cleat here, again, remember this pitch was up and in. So you're going to see more the bottom of the cleat, especially when it's middle in possibly middle up depending on how close the ball is, you're going to see the ball or the, you're going to not see as much of the bottom of the front cleat if the ball's middle away or middle down.

8:26
But you can see that shifting foot pressure beautiful for keeping the hitter effectively between the 90 degrees of the field. Alright, remember in this Fernando Tatis Jr hitting mechanics video we talked about:

  • Fan-graphs and a few stats there and how he's 6'3″, 185 similar to the long lanky Ted Williams body back in 1938 or 39 when he broke into the league.
  • We talked about some examples of the Big Three the Catapult Loading System that Fernando Tatis Jr is using, and
  • We also ended on how he stays sideways using the shifting foot pressure and using his lower half effectively.

9:09
Make sure that we're swinging smarter by moving better. And before I let you go…

What Does a Cornerback, 2 Wide Receivers, & Hitter's Timing Have in Common? (No. This isn't a joke, I promise) 😉

 

 

I have a treat for you.  In this post we'll discuss:Effective Velocity: Get On-Time Without Messing With Mechanics

  • 10,000 foot view of Perry Husband's concept of Effective Velocity,
  • Analyze a real at-bat of one of my new High School senior hitters, and
  • What a cornerback covering 2 wide receivers can teach hitters about timing…

 

 

 

Josh Karr

To Coaches That Want To Fill A 2021 Roster Spot Despite COVID19

(CLICK HERE for the full transcription of the interview)

UPDATED: Josh has currently found a home at a JC, but I'm sure he'd welcome any other interests.

I'm doing something a little different in this post…

I want to help college coaches.  But most importantly, I want to help support one of my High School Seniors that got stuck in this COVID-19 season ending cyclone.  What follows is an interview to help coaches fill a 2021 roster spot with a solid student athlete…

The NCAA has allowed a 5th year for seniors in college impacted by COVID-19 season shutdown.  I agree with this.  It was a good move.  However, what about High School seniors who only got to play 15-20 games in 2020, without the opportunity to commit?

I've interviewed one of those seniors, Josh Karr.

FULL DISCLAIMER: I've worked with Josh in the past, and his dad reinforces our system with him as well.  I wanted to conduct an interview as if I was a college coach recruiting Josh.

 

Quick stats and highlights from the interviewJosh Karr

  • 6-foot, 2-inches, 215-pounds. From: Wills Point, Texas. Goes to: Wills Point High School.
  • 96-mph ball exit speed off tee using PocketRadar app. Hit 100-mph on LIVE pitching but didn't record that.
  • Infield corner position player: 1B/3B, has played outfield before (RF).
  • .960 to .970 Fielding%
  • 60-yard time: 7.2
  • Pop-time: 1.99
  • 3.62 grade point average.  1040 SAT.
  • Loves Math.  Wants to major in Biology, end up in the medical field.  Possibly wants to be an NPA.
  • 2019 stats (Junior year): .329 BA, .451 SLG%, .537 OBP%. 27 hits, 4 homers, 5 doubles. 26 RBI's.
  • Named “player-to-watch” for his region.  Out of roughly 540-550 players of the whole region. Josh was one of top 40 they picked for it.
  • His main focus hitting right now is line drives

If you want to reach out and contact Josh, you can at the following spots:

  1. Email – jmkarr at SBCGlobal dot net (formatted this way, so Josh doesn't get a lot of SPAM)
  2. Phone – 661-889-5543
  3. MaxPreps page
  4. On the socials – His personal page on Twitter is: @JoshKarr16 … and his baseball page is: @BaseballKarr …you can DM him there as well.

Final thoughts: yes, I'm a little biased in Josh's case. And no, I don't do this that often.  But I'm going to vouch for this graduating High School Senior.  Josh comes from a solid family.  They're hard workers.  Highly disciplined.  And focused on what they set their mind to.  Josh is a fantastic student.  And since I've known him, he does what he needs to to compete at the next level.  He needed to cut weight, so he cut 10% body fat and dropped 10-15 pounds last fall.  His weakness is pitches down in the zone.  He's currently working on driving those pitches on a line.  The point is, this is a coachable student athlete that is looking to compete for you.  Please reach out…

 

Albert Pujols Hitting Mechanics

Albert Pujols Hitting Mechanics: Hit Top Part Of Cage? Or Back Part?

 

 

In this Albert Pujols hitting mechanics talk, some questions Pujols and Harold Reynolds answer:

Albert Pujols Hitting Mechanics

Albert Pujols & Harold Reynolds Interview, MLB Network 30 Clubs in 30 Days. Photo courtesy: MLB.com

  • Hitting ball off same spot off tee or vary?
  • Dangers of a purely opposite field approach…
  • When is using ‘hands inside the ball' okay?
  • Hit top part of the cage of the back?
  • How many swings until you should take a break to reflect?
  • Inside pitch barrel path: is it different than away?
  • Should hitter get “taller” to hit a high pitch?

Make sure you watch the 8-minute 30-Clubs in 30-Days Albert Pujols interview on grooving his swing, before diving into my notes.  I time stamped the above video for quick and easy reference…

  • At the 0:10 second mark,  tsk, tsk…notice Harold Reynolds isn't following the 4-foot social distancing rule!! (for those watching this well after the craziness of the Coronavirus has passed – lol).  
  • At the 0:30 second mark, interesting Pujols talks about building a consistent swing, hitting off the tee in one spot.  He references variance training with some hitting coaches moving the ball up and down, in and out.  I do agree with him, but it depends on the end result.  If you're just introducing a new hitting mechanic, then keep the tee in one spot.  If you're looking to deeply embed a well worn hitting mechanic, then variance or chaos training is key.
  • At the 0:45 second mark, Albert Pujols talks about setting tee up slightly off center of the plate towards outer part.  He likes to work gap to gap and not force or push the ball to right field.  He mentions if he focuses too much on right field, then he gets under the ball too much.
  • At the 1:30 minute mark, Pujols dispels the myth of “staying inside the ball”.  He says of course you're inside the ball…you don't see hitters EVER getting their hands outside the ball.  ‘Hands inside the ball' can be a great cue for those hitters doing the opposite – casting barrel early.  It's not a perfect cue, but may work in some cases.  Then to throw gas on the fire, he mentions ‘knob to the ball'.  Real v. Feel.  There's a reason you keep hearing this kind of stuff from guys like Pujols, A-Rod, and Bonds.  It has to do with top hand dominance and pronation.  We call it the “wrist snap”.
  • At the 2:00 minute mark, Albert Pujols talks about working on the liner, not trying to hit the top part of the cage. He picks a spot in the cage he wants the ball to travel.  External cue.  He wants the ball to come off the bat as high as the tee is set.  Harold brings up that some people are teaching to hit the top of the cage (I used to be one of them!!).  But Albert plays the politician and comments that he doesn't want to say what those coaches are doing is wrong, but that he wouldn't teach that.  And right now, I'd agree with him.
  • At the 3:00 minute mark, Harold asked Pujols if there's a rhythm to working on gapping the ball, and Pujols says he tries to hit 3 or 4 in a row, then take a break to reflect on the feeling.  He tries not to rush when working out.  He tries to take his time.  Process what he just did.  Great advice!
  • At 4:00 minute mark, Harold asks Albert about his inside approach.  How to hit the inside pitch.  Watch how Pujols demos his barrel path to get to it … barrel above hands?  This Adam Eaton video reveals the same thing.  Interesting huh?  We call this knocking the “belly button” catcher's glove off.  He says he's just reacting to the inside pitch.  Typically, he's looking out over the plate.  He doesn't try to focus on one area of the plate.  He looks middle, then adjusts in or out from there.  Definitely works for Albert.  And Mike Schmidt also talked about it in his book the “Mike Schmidt Study”. Only downside is when pitchers start using EV tunnels Perry Husband talks about.  It's easier to cover middle in/out/up/down (50% of the plate), based on pitcher's pattern.  Obviously, this is more effective the better the pitcher is.
  • At 5:00 minute mark, in the above Albert Pujols hitting mechanics video, Pujols talks about keeping his shoulders “square” or keep front shoulder pointing at “400-foot” mark in straight center.  Not to close shoulders off.  Albert never really did ‘show numbers' much, but he does a lot of other things right.
  • At 6:00 minute mark, Pujols talks about not getting “taller” to get to the pitch up in the zone, but to stay sink down and use hands to get to it.  Again demonstrates keeping barrel above hands.  We talk about getting shorter and staying shorter.  And middle in, middle up pitches are addressed by knocking off belly button catcher's glove or telling hitter to keep barrel above hands.  Real v. Feel.  Now, this isn't actually what's going to happen.  The result of this hitting cue is a tighter, shorter, more compact barrel path.  Much needed closer the ball is to the hitter or the eyes.  He talks about using his legs to get to pitches down in the zone.
Tee Drills With Adam Eaton

Tee Drills: Adam Eaton Speaks High Inside Pitch Approach Truth

 

 

Tee Drills With Adam Eaton

Adam Eaton photo courtesy: MLB.com

In this tee drills with Adam Eaton video, some main points Adam Eaton covers:

  • Ball flight tells you everything,
  • Demonstrates how REAL high level barrel path is on high inside pitches,
  • How most get the cue ‘stay inside the ball' wrong, and how to use it properly, and
  • Tee drills tip for putting the high tee on steroids!

 

Make sure you watch the brief 5-minute 30-Clubs in 30-Days Adam Eaton interview before diving into my notes below.  I time stamped the above video for quick and easy reference…

  • At the 0:45 mark, Adam Eaton talks about how tee drills are the most important part of the day.  According to the tee drills naysayers out there, man oh man, how many Big Leaguers are doing it “wrong”.  Haha!
  • At the 1:30 mark, while working tee drills, DeRo asks if Adam Eaton is worried about his hands, bat path, what?  And Adam responds by saying, ball flight tells you everything.  If ball flight is clean, he knows his body is in the right position.
  • At the 2:30 mark, Adam talks about letting ball get to belt buckle on pitches away.  He clarifies you aren't actually going to hit it there in the game.  Feel cue, pure and simple.  Interesting he mentions getting on plane quickly here in reference to outside pitch.  This is when deep barrel dump is okay.  Adam mentions his powerful impact position checkpoints: palm up palm down, hardly any bend in the front arm (he actually works on this!!), and nice bend in back arm (90-degrees).
  •  At the 2:55 mark, Adam Eaton talks about high inside tee drills. Uncomfortable drill because it feels like you're crowding yourself.  But it teaches body control and to control the shoulders.  “Blackout moment” defined as an experience when body takes over without thinking because you've practiced it so many times.  And just before the 4-minute mark watch him demonstrate how he gets to that high inside pitch — he keeps the barrel up, above his hands, until last possible second.  Much different barrel path he'd take to a pitch away.  I talk to my hitters about the difference between hitting a catcher's glove perpendicular to the hitter's “belly button” (inner third part of plate), versus knocking off the real catcher's glove (outer third part of plate).
  • On these tee drills, Adam Eaton talks a lot about ‘keeping hands inside the ball'.  The cue is great for hitters that do the opposite – hook the ball a lot.  And ‘get barrel around the ball' works brilliantly for hitters with racing back elbow or who tend to push the ball opposite a lot.  Over the years I've learned that every hitting feel cue has their place.  We used to laugh, cajole, and mock Major Leaguers when we'd hear them say things like ‘get on top', ‘swing down on the ball', or like in Adam Eaton's case ‘stay inside the ball'.  These cues do work, but mostly to the hitters who do the opposite of what these cues suggest.  It's called Paradoxical Intention.
  • Also note on Adam Eaton's slow motion game swings how virtually straight his front arm is at stride landing.  He's not a big guy, 5-foot, 8-inches, and only 176-pounds.  He can lever up that front arm because of a shorter wingspan for sure.  I've seen him do this on outside pitches as well as inside.  Although, here's the catch on the inner half of the plate, you have to take the barrel path approach he demonstrated on the high tee drill.  In addition to training my hitters to use a longer front arm on the high pitch, I also make them do it with an end loaded heavy bat.  Makes the drill even more uncomfortable – as Adam Eaton put it – BUT if they can accomplish it at that pitch location, everywhere else is gravy.

Mike Trout Hitting Golf Ball: Same As Baseball Swing?

 

 

Mike Trout Hitting Golf Ball at Top Golf

Photo courtesy: MLB.com

What we go over in this Mike Trout hitting golf ball compared to baseball swing video:

Let's get started…

 

“…rear leg is slave to middle of body” Mike Trout Hitting Golf Ball Quote

 

Shifting Foot Pressure

A couple recent posts I've done complimenting above video…

 

Catapult Loading System – BIG-3

Recent posts I've done on this topic…

Francisco Lindor Swing Breakdown: Metrics, Big-3 Power, & Wrist Snap

 

 

Francisco Lindor Swing Breakdown

Francisco Lindor swing breakdown photo courtesy: MLB.com

Hey, what's going on? It's Joey Myers from the Hitting Performance Lab.  In this Francisco Lindor swing breakdown video, we're going to go over three different things…

  • The first thing we're going to do is are going to look at his metrics according to fan graphs,
  • The next thing is the big three in the Catapult Loading System, and
  • And then the last thing we're going to look at is when the wrist snap happens…

 

Francisco Lindor Swing Breakdown: the Metrics

Now, let's take a look at some of the stats and give a little context to this Francisco Lindor swing breakdown. You can see he is a smaller hitter, smaller slugger, 5-foot, 11-inches, 190-pounds. He switch hits.

You can see down here in 2019, putting his power in perspective… He's hit 32 homers in the last years prior, 38, 33. That was 2017. And the video analysis swings we'll look at in this video are from 2017.  He's hit about 40 doubles or so in those last three years or the last four years. 30 doubles in 2016, and hits about .284.

And if we look at his batted ball totals as in line drive percentage, ground ball percentage and fly ball percentage…line drive percentage in 2019 was just about average – 20 percent is league average – ground-ball rate is average, league average is 43%. Fly ball percentage is just slightly below average at 36.6%. Average is about 37%, but pretty close to league averages there.

The one thing that is above well above league average is his homerun to fly ball percentage, which is 17.4%. And you can see the prior year 17.3, then 14.0, then 9.9, and 13.0 are all well above average on the 9 or 9.5% of homerun to fly ball ratios as the major league average.

So let's start with the big three in the Catapult Loading System in this Francisco Lindor swing breakdown. You have the lefty at bat over here and the righty at bat over here. Let's give a little context to these pitches in the at bats. This is the second one over here.

We're going to look at the pitch speed, 88-mph. Some kind of breaking ball, maybe a slider, and this one he hit for home run into the right field bleachers or right center field bleachers, over here on the right his righty at bat.

He's a little bit out in front. We have a 79-mph, probably a slider here. That he pulls in the five and a half hole.

 

The Big-3: Catapult Loading System

OK, so what I referred to as the big three and the Catapult Loading System is the build more consistent power in a swing. There are three buckets. Two, our systems, the different systems we teach, that's one of them.

The second one is the pitch plane domination system. And that's all about how to hit more line drives and the reaction time mastery system, which is all about footwork, vision, tracking and timing.

This Francisco Lindor swing breakdown video, we're going to be going over the first system, the power systems, the Catapult Loading System. I refer to the big three as “showing numbers”, “downward shoulder angle”, and “hiding the hands”.

What you're going to see here, I have both of these swings synced up, on the left, the homer, on the right, the ball that he was a little bit out in front he pulled into the five and a half hole for a ground ball base hit.

“Showing Numbers”

You can see that if we rewind to the beginning. And just so you know, the camera angle in center field is slightly off center towards the left or left center. It's in center, but slightly towards left. And that is going to show any kind of right-handed batter as showing their numbers more than the left. So just understand that this isn't a complete apple to apples comparison, but you'll still see the difference in their starting positions and their landing positions.

You can see here, you can't see Francisco Lindor's number really on the left, and you can start to make it out a little bit here on the right. Again, probably because of off centered camera in center field.

As the pitcher starts to get into the windup, gets ready to release the ball, you can start to see over here on the right … again, with our camera angle, you can see that #12, pretty clear as day at this point.

And what I want you to do is, again, with that skew with the camera, watch the pinstripe. If we put a dot in these spots, as you'll see Lindor pull in more with the pelvis almost similar to the Javier Baez swing analysis that I did a few weeks ago, you saw Baez extremely turn that pelvis in. And my argument is that we don't have to do that…

See here that that pinstripe you can't see any more on the right side, but on the left side you can still see it. Again, we get a skewed camera angle, but it didn't move quite as much on the left as it did on the right. So, this is something that Lindor actually doesn't have to do and might be closing himself off just slightly. But nonetheless, you can see you can pretty much make out almost the full one in the two.

I used to teach showing numbers as showing both numbers are showing at least a number and a half, evolved it more to where we want to create neck pressure. If we create neck pressure, then the hitter should be showing their numbers. It's more of an objective measure of showing numbers because every hitter is different. Their mobility in their neck is different.

In this Francisco Lindor swing breakdown, you can see his head really anchoring down for it in a tracking position and he's moving his shoulder underneath his chin as far as he can, creating a wringing towel effect between his head and his shoulders. And he's creating this neck pressure at the T1/C7 vertebrae in the spine, just like wringing a towel out. And he's creating that neck pressure, which as a result will show his numbers.

And also, could be on the right side since he possibly is inward turning his pelvis a little bit more. It could be why he's shown his numbers a little bit more besides the camera angle. So that is the first of the big three, showing numbers or creating neck pressure.

“Downhill Shoulders”

The second of the big three is the downhill or downward shoulder angle. It's the hitter dipping their front shoulder down, creating this downhill shoulder angle that you can see with this back elbow in this Francisco Lindor swing breakdown. You can see his back elbow, if you create this line, not quite as much over here on the right, he doesn't raise that elbow quite as much as on the left.

And granted, too… If you look at his at bats in fan graphs, he has a lot more at bats, probably 60 plus percent more on the left than he does on the right because he's seeing probably more righties than he is lefty pitchers. So, you can see he's probably little bit more grooved on the left anyway. And his power numbers show it. He's got plenty of more homers on the left than he does on the right. But again, that reflects the amount of plate appearances as well.

He has this downward shoulder angle on the right. He's not using his back elbow as much. We do use back elbow with the hitters to steer the shoulders down, but not all hitters will click with that. We'll just tell those hitters that they seem to for telling him to raise the back shoulder at landing. Then what tends to happen is their hands start to balloon up and rise up. We don't want the hands to get up past a certain height. We want to make sure that their hands are in it in a decent, more comfortable position around the shoulder height – back shoulder height to be able to launch from.

So, if the hitter is having a hard time by bringing that back elbow up, like you see Francisco Lindor over here on the left, then what we'll tell the hitter to do is just lower the front shoulder.

He's creating neck pressure, which is showing the number, this is a protraction of the front scapula for you movement nerds out there, you kinesiology nerds out there, and he is creating this downward shoulder angle so that his shoulders can actually flip.

You'll see the front shoulder pop up in the back shoulder that's up will go down as he gets to the swing here. You see a complete reversal of that. And we should see in the follow through, we should see a complete reversal again back to almost where his right shoulder on the left over here.

So this front one ends up, starts down, pops up, and then should end up back down again over the other shoulder. And the reverse is true. Over here on the right, we see the left shoulder start down, pops up, and then it should end up back down again, which you see here. That is a proper deceleration of the spinal engine.

“Hiding Hands”

The last piece of the big three is hiding the hands from the pitcher. So you can see the hands here from the left. You can see slightly the bottom hand on the right. And then you're going to see those hands disappear. You'll see them reappear back behind his head, on the right, on the left, not quite so much. You see them disappear behind his head. But again, we're talking about a different camera angle here.

And some call this the scapula row or a rear scalp retraction for the kinesiology nerds back there.  We should see both a protraction of the front scapula, which is showing the numbers/neck pressure.

And we should also see a retraction of the rear scapula. We see both. We do not, especially in hitters like Lindor, who are 5'11”, 190 pounds. We do not see the ones that hit for power anyway. We do not see them only retracting the rear scapula and not showing their numbers, or not using neck pressure. We see both.

It is very hard for a hitter the size of Francisco Lindor to hit 30 homers a year for the last three or four years, without showing numbers and just doing the rear scapula retraction.

Not going to happen.

So those are the big three as it is to the Catapult Loading System, showing numbers, downhill shoulder angle, and hiding the hands. Now let's check out the wrist snap…

 

Wrist Snap

A lot of young hitters, what they tend to do and there's quite a few hitting instructors out there that are teaching this deep barrel dump and to “chicken wing” with the front elbow, 90-degree bend as it comes through impact.

The problem is, and this is what I'm seeing with both the hitting instructors and the hitters of the hitting instructors, and even in some of my hitters, as we train this out of their swing is, they create a lot of space between their front arm and their chest as they're coming through.

You can see this was the pitch that was middle in that Francisco Lindor hit a homerun on to right. You can see how tight he keeps this barrel, and we talk about the belly button catcher's glove

Imagine a catcher's glove in line with the hitter’s belly button and a catcher's glove in line with the hitters back foot. This is important when it comes to pitches middle in and middle up because we want to be knocking off those catcher's gloves and not knocking off the real catcher's glove was back here.

But you can see in this Francisco swing breakdown. You can see him, his barrel entering the attack zone at the back-foot catcher's glove, he's actually a little bit late here, he ends up speeding it up with his wrist snap.

But what you're going to see is almost like there is a wall happening here… And he's going to get to this wall… And his hands are going to stop moving forward.

What we see with young hitters is we'll see these hands continue forward and they end up way out over here, chicken winging with the elbow and their arm, front arm drifting far away from their chest, which we don't want to do if we want a proper transfer of body to barrel to ball force.

We're going to see the best hitters will stop, their hands will stop moving forward at a certain point, which you see is right here. It's like the hands hit a wall and we have a wall drill for this, a wall turn or a phone booth drill that we use to help the hitter out with this, plus a wrist snap position.

You see, as he releases into the back foot catcher's glove, you're going to see him pivot. Imagine a red laser coming out of the knob and you get a green laser coming out of the barrel of the bat. And we see at a point where he'll flip it, he'll flip the red laser for the green. But you see this wrist snapping. Some may call pronation.

As he gets through this ball and you're going to see post impact … both arms get extended, full extension. Both arms. Power V. This isn't the power V that was taught about a couple of decades ago to happen at impact, that's not what we're trying to do.

This is the power V that happens after impact, and with a proper transfer from body to barrel to ball we should see this passed impact.  But it uses a combination of the big three of the Catapult Loading System and the wrist snap. At one point, the knob has to stop moving forward linearly and has to let the wrist snap and pronate with the top hand.

Make sure that we're swinging smarter by moving better … Like this video … Subscribe to our YouTube channel … and before I let you go…

Anthony Rendon Swing Analysis: “Getting Shorter & Staying Shorter”

 

 

Anthony Rendon Swing Analysis: Get Shorter, Stay Shorter

Anthony Rendon Swing Analysis photo courtesy: MLB.com

Hey, what's going on, it's  Joey Myers from the Hitting Performance Lab.  In this Anthony Rendon swing analysis, we're going to go over a couple of things…

  • Inward turn of the pelvis pre-stride touchdown?
  • “Hip slide” as a stride technique,
  • Shifting foot pressure, and
  • Get short, stay short…

Transcription of above Anthony Rendon swing analysis is what follows…

 

Inward Turn of the Pelvis Pre-Stride Touchdown?

First off, I wanted to show a pitcher's view and talk about how really insignificant the turning in of the pelvis is. I have Javier Baez over here on the right, and I've done a swing analysis on him where we talked about this.  Anthony Rendon is over here on the left.

You can see the difference in how much that they turn their pelvis in or don't turn their pelvis in. And my argument is that we really don't need to do that. We talk about putting the hips on a skewer … where the skewer goes through the hips towards the pitcher and that the hips slide on that skewer.

The only time they can come off the skewer is during the actual turn itself as the pelvis starts to open. But we don't want to see it come off the skewer, by turning into the skewer before that, which we see Baez doing over here. You can see both butt cheeks pretty much from there, which you really only see one butt cheek over here with Anthony Rendon.

I wanted to start this off and show you this view and just take my word for it … there are many swings here of Anthony Rendon, who's doing the same thing in all of them. It's not just because this pitch is inside.

 

Anthony Rendon Swing Analysis: “Hip Slide” as a Stride Technique

Now, one thing I wanted to highlight, in this Anthony Rendon swing analysis video is the hip slide as a stride technique. And what you'll see here is Anthony Rendon really doesn't have much of a stride. You can argue here that maybe he's got a little bit of a toe tap where he kind of sets the foot out there. He's got his weight at about a 60/40 type of position. And then what you're going to see is his hips slide forward on that skewer. And then he's going to start his turn.

I have some hitters that do this, and that choose to do this especially with two strikes or when they're facing somebody, a pitcher that's got above average velocity, and that is OK. The stride in our system is not meant for power. In the stride, I argue for any hitting system doesn't really contribute much power to the swing. You might get a half a mile per hour ball exit speed with a longer stride versus no stride. But a stride's main purpose is timing.

If my hitters are getting on time more often or they're comfortable with their timing and their stride, then we don't touch anything. However, if they're having a hard time with their timing and they have a high leg kick, then we may experiment with the toe tap or we may experiment with this hip slide style.

 

Shifting Foot Pressure

One thing I want you to check out in this hip slide is the shifting foot pressure, no matter what the hitter is using as a stride type, whether it's a leg kick, medium or high, a toe tap, a hip slide, or a slide step.

Does it really matter?

You're going to see them using shifting foot pressure. We should see in the beginning before the turn happens, before the hitter starts turning, and we should see foot pressure on the outside part of the back foot and the inside part of the front foot up until the start of the turn.

As you can see here, this is the start of the turn here. He's starting to load and take slack out of his system. And then you're going to see that shifting foot pressure go to the opposite side of what he started with. You're seeing on the outside here is going to shift to the inside of the back foot and it's going to shift from the inside of the front foot to the outside of the front foot.

Oftentimes you see hitters, some hitters more than others, where you can see the bottom of their front foot because they're on the outside or on the fifth metatarsal of the foot – the pinky bone in the foot. You see the bottom of their foot as they do it. Now, this isn't a teach. I don't talk about doing more or less than that. Typically, when the ball is closer to the hitter, you'll see more of the bottom of the foot. They'll be more on the outside part of the front foot.

And if the ball is more away, you'll see the foot a little bit flatter. Now, in this Anthony Rendon swing analysis, you can see that he stays pretty stable, pretty grounded with it, the sole of his foot, although it can be argued that he is definitely on the outside part of his foot, but more of the bottom than other players.

So this is the idea of a hip slide. It's OK for hitters to use, especially facing high velocity pitching, or maybe a two strike approach. But the objective of this is, if you're going to use a hip slide, minimal stride, minimal feet off the ground. The objective is to get on time more often. It isn't about gaining power, or taking away power. It's a timing mechanism.

 

Get Short, Stay Short

In this Anthony Rendon swing analysis, I'm going to show you a couple of swings exemplifying him getting shorter and staying shorter or getting low and staying low.

The benefits to this are when the hitter gets taller, as some coaches teach, getting their hitters to get tall or stand tall or stay tall or whatever. What tends to happen is, it pulls the hitter up on the plane and the pitch. They tend to hit the ball on the ground more, and if they are a little bit more mindful about their batted ball outcomes, and they are hitting more ground balls as they're swinging, getting taller…

What they'll end up doing is they'll compensate by using their hands more to get under the ball. We don't want to do that. We want to let the hands just swing. We want the body to get the barrel on the plane of the pitch.

What you're going to see at the start of the swing, even with a hip slide, you're going to see him drop below that bottom line. At the start of his turn, this is a typical at stride landing position, so if a hitter wasn't using this hip slide … they were using a slide step or leg kick or whatever, you would see the best hitters drop below the starting line.

Or maybe if they're more crouched like a Victor Martinez was, he'll start at this bottom line and stay under. This line down here. So, you're going to see he doesn't really pick this back foot off the ground. He just kind of goes to the toe, shifts his weight against a braced front side, which is “a” OK.

As long as there is a shift going on there, of the center mass, we're not squishing the bug or putting out a cigarette butt.

But you're going to see him stay below this line. So, he's going to get short. He's going to stay short. And he's using his knee action. He's using the distance between his feet to do this. Players that tend to skip too much, they skip their back foot six inches will end up taller above this line. And as they're swinging, they're getting taller.

This messes with vision and tracking. It messes with them getting on the plane, Anthony Rendon even actually gets lower during his turn. You see him getting lower and staying lower.

Here's another at-bat you can actually see from the beginning. You can see this hip slide toe tap, staying shorter principle where he's starting at his head setting the top line. Then you're going to see him set that foot out there. And he is going to, what we're going to talk about it in a minute, he's going to sit into this back hip, or his back-hip pocket.

Then you're going to see him as his hip slides before his turn happens. You see him sink below the bottom line and he's going to stay short or stay under that bottom line. Now, we talked about the neutral position that his pelvis, or hips, start in versus Javier Baez earlier in this video. You can see that here. And then what he's going to do as he gets that front foot out there is, he's going to sit and sink.

A couple of things we work on with hitters…

Sometimes our hitters will, as they stride, will straighten this back leg and will make them taller, obviously. Wherever they start, they'll end up above the line. Well, what we do is there is something in there that that hitter is trying to take slack out of this system, trying to create and hunt and seek out stability to be able to move from as they move into their turn. And they will straighten this leg out, which there is stability in straightening the knee out. And also, possibly going into kind of a hip extension where you come out of a hip hinge, or an athletic position.

We want to promote or encourage our hitters to be in more of an athletic position, which you see in this Anthony Rendon swing analysis. You can see that's what he's doing. One thing we do is take this back toe … instead of it pointing straight at the plate or perpendicular to the plate. We turn the back toe in slightly, which now gives the hitter a little bit of hip torque in the back hip.

The second thing that we do is, as you're seeing Anthony Rendon do here, is you're seeing him sit or sink into this back hip or back hip pocket. He's just kind of like there's a harness going over the back butt cheek. So, for a righty, the right butt cheek, and for lefty the left butt cheek.

Maybe they might feel that they're pinching their back groin a little bit, but they should feel like they're bone in their butt is peeking out of that back-butt cheek, they're sitting into that harness back there and it's not a rotating inward of the hip. We saw that at the beginning of this video comparing it to Javier Baez.

We saw Anthony Rendon not inward turn his hips. He sat into his back-hip pocket. That's more like what we're trying to do. We're trying to keep the hips on the skewer.

You see him sit. He goes from this kind of neutral position and then you see him take that stride and you see him sit into this back hip, which creates an environment of taking slack out of the system.

You turn that back toe in, creates back hip torque. And now we sit into that back-hip pocket and now we're all ready to go with the pelvis.  Again, not an inward turn. He's just sitting into it. It's more linear, but in a diagonal fashion, it's not back towards a catcher, but it's kind of more behind, in line with the hitters back butt cheek.

Here it is again. Anthony Rendon swing analysis. You can see the getting shorter, staying shorter.  He starts at the top. He gets out to that stride, that 60/40 weight distribution, you can see this back toe turn slightly in. You can see him sit or sink into that back-hip pocket. It's like he's sitting down on one side of his butt cheek.

You're going to see him move as he's getting close to the turn. You're going to see him move under the bottom line and he's going to stay shorter and stay under the bottom line.

What's also interesting to note here is this pitch is in and up, in or up, in and or up, and you're going to see the barrel path… He's not snapping it backwards like you see a lot of coaches doing. And teaching. It's okay to snap it backwards… when we're talking pitches middle away or middle down.

What he's doing is he's imagining that there's a catcher's gloves set up at his belly button and he is knocking that catcher's glove off.  In order to get to this pitch, which is middle in and/or middle up. At a higher speed, this is how we catch up or how the best hitters catch up to pitches depth wise that are closer to their eyes and faster.

All right, last swing in this Anthony Rendon swing analysis, you can see, again, all the principles. In conclusion of this video, you're going to see him maintain his distance between his feet. He's going to start at the top before his swing starts, he starts to turn. He's going to drop below the bottom one by maintaining the distance between his feet is going to help him to get shorter and staying shorter.

You can take a PVC pipe with your hitters. You can set it at about their nose level and have them practice getting shorter, staying shorter by using their knees. We also don't want them to skip too far. We tend to like the one to three-inch skip and it all depends on how tall the hitter is and how young the hitter is. We maintain the distance between the feet. We use the knees.

You can see Anthony Rendon using his back knee. Even though the front knee gets straight, which some hitters like Anthony Rizzo, Cody Bellinger, Adrian Beltre … they tend to on pitches down in the zone, will keep this front knee bent and won't actually get it to straight. But they're also using their knee action to stay shorter, to stay below the bottom line.

 

How To Train Hitters with this…

And how do we do this? How do we train this into our hitters by taking this back foot, turn it slightly and towards the pitcher to create some hip torque back here. We are going to have the hitter sit or sink into that back hip. They're going to feel like a bone is sticking out of their back-butt cheek.

And they're going to ride that feeling up until their stride landing position. It also might help by using shifting foot pressure, getting the hitter to understand that they're going to start on the outside of the back foot, inside of the front foot. And as they approach stride landing and about this point, you're going to shift it to the opposite side of each foot. Outside becomes the inside of the back foot and inside becomes the outside of the front foot.

And this is an easy way to practice this. They can just do it in the room by just standing sideways like they're hitting, grabbing their thumb, their top hand thumb and practice, shifting back and forth, back and forth, back and forth.

Again, in this Anthony Rendon swing analysis video, we talked about:

  • The hip slide as a stride technique,
  • Shifting foot pressure,
  • The difference between Javier Baez and Anthony Rendon and how they inwardly turn the hips pre stride landing or they don't, and
  • The benefits of getting shorter, staying shorter, what to look out for distance between the feet, minimal to zero skip …
  • Using the PVC pipe…

…make sure that you're swinging smarter by moving better. And before I let you go, please like this video on YouTube, like our YouTube channel, and check this out…

Javier Baez Swing Analysis

Javier Baez Swing Analysis: Why Inward Turn Of Hips Is Wasted Movement…

 

 

Hey, what's going on it's Joey Myers from the Hitting Performance Lab, and in this Javier Baez swing analysis, we will cover:

  • Fangraphs metrics,
  • Over-rotation of low half during pre-loading phase,
  • Amazing C/T spine mobility (neck pressure), and
  • Barrel tilt…

Here's the transcription from the above video…

 

Javier Baez Swing Analysis FanGraph Metrics

Javier Baez Swing Analysis

Javier Baez photo courtesy: MLB.com

Let's get into the fan graph metrics. As you can see here, look at the six foot, hundred ninety-pound Javier Baez in the swing analysis we'll be looking at in 2019. You can see his line right here. You can see a .281 batting average, 38 doubles, four triples, 29 homers, and you see a big giant balloon over here, one hundred fifty-six strikeouts and only twenty-eight walks.

Now, if we look at his line when it comes to ground ball, fly ball, line drive percentages, and his fly ball home run ratio and his pull and hard contact numbers, we look at his line drive rate being eighteen point one. You can see his averages over the amount of years he's been in the Bigs is 19. So, a little bit down from his average.

You can see his ground ball percentage was up quite a bit, fifty point three, which was down in prior years as low as 44 percent and 37.3 percent.

You can see the average line drive rate is 20 percent or so. So as long as they're around 18 to 22 percent, that tend to be about league average. The ground ball percentage, league average is about 43 percent or around 40 percent. You can see he's well above average on the ground ball percentage and fly ball percentage typically floats around 37, 38 percent at league average.

So you can see he's below well below average when it comes to the fly ball percentage homerun to fly ball ratio, the percentage at 24.4, league average is around 9 to 11 percent. So, if he gets the ball in the air or his fly balls, the percentages of his fly balls going out are almost 25 percent.

What's also interesting to note is if you look over at his soft percentage contact medium and his hard contact percentages, you can see that his medium actually outweighs his hard percentage contact. Some interesting things going on from this Javier Baez swing analysis, might shed a little bit of light on that.

But I thought interesting to note that his hard ball contact percentage at 37.4, you can't see it on the screen, hard contact percentage. And then you can see as medium here is 44.6.

 

 

Over-Rotation of Lower Half During Pre-Loading Phase

All right. Let's get into the Javier Baez swing analysis, and the breakdown of his mechanics. Let's give this a little context. This is a two thousand nineteen swing, I think, in May or so. And this pitch looks like a ninety-one mile an hour slider that ends up, as you can see in the K zone in that lower outside quadrant. And he hits this one out to right center a little bit more towards center but right center.

One thing I want you to take a look at is over rotation of the lower half. This is something I think Ted Williams said in The Science of Hitting. And a lot of instructors out there will take this to the extreme. And they think that by turning the pelvis in towards the catcher, so imagine a hitter’s belt buckle turning in to face the catcher. Like there was a flashlight coming out of the belt buckle and that you're shining the flashlight at the catcher to get the hips some momentum.

Now, I think this is wasted movement when it comes to function of the spinal engine. Not my opinion, but if we look at springy fascia, the spinal engine, what we want is we want to see this front shoulder … we'll get a chest view here in a second … we want to get this front shoulder to go down in and towards the back hip. And we want this back shoulder to move away from this front hip.

When you move the pelvis in or you move the front hip bone in along with the shoulder, is that now the hip and the shoulder are chasing each other instead of doing the opposite in what we would find in a wringing towel type of scenario, whereas one hand being the shoulder, the other hand being the pelvis.

We're seeing a lot of these coaches that will say if and when the pitcher shows you his back back pocket, then you show them yours. This is clearly what Javier Baez is doing in this swing analysis. You can see him really showing his back pocket versus this neutral position that he starts off in, really rolls in with that hip.

Now, if we take a look at another hitter, Khris Davis of the A's, this is the 2018 swing of his. But he actually steps in the bucket a little bit. You're going to see a little difference to the hip positioning. Khris Davis really doesn't waste any motion pulling that belt buckle, this flashlight on the belt buckle, trying to shine it in the catcher's eyes. He actually keeps it in a neutral position and steps out. Into the bucket.

What both of these players do really well, and I think, Khris actually does better than Baez is because of the lower half over rotation in the pre loading phase of the swing before stride touchdown, we see Khris will keep his hips in a neutral position … but will use this neck tension, which we'll talk about here in a second to counteract. And he's really good, Khris, at going the other way, where he hits this one. This is a 94 mile an hour fastball somewhat up in the zone. And he hits this to straight away center.

He does very well going to the opposite field, even though he's stepping out now, I wouldn't advise young hitters to do that. And we have a stride drill that fixes getting the stride more in line.

Khris makes this work because of the way he uses his spine. Here's a chest view of Javier Baez swing analysis, it's a little angled here, but you can see that kind of over rotation of the pre loading, pre loading phase of the pelvis, the lower half versus what Khris Davis was doing.

You can see him really coiling up with the lower half, which he really doesn't have to. And you're seeing the what I was talking about is taking this front shoulder down and in towards a back hip and we should actually see this front hip move away from the back shoulder.

When you bring that front hip in, you're chasing the back shoulder instead of moving away from it, which that's how springy fashion works, how we load the body like a spring or a catapult. And we want to bring that front shoulder down and in which he is doing. But when you turn the pelvis, it's almost like the corresponding shoulder is chasing the corresponding diagonal hip bone.

Now, if we look at Khris Davis on the same swing, you know, this view's a little bit more chest view than the angled version we're getting with Javier Baez. But you can see that that hip stays in neutral and then you'll see him bring his front shoulder down and in towards the back hip and you'll see this front hip move away from the back shoulder.

Some people might call this the scap load that is covering this line here, this diagonal line to scap load. But we also that's a retraction of the back scap. What we should see is a protraction of the front scap or the front shoulder moving down and in. So, we're going to see the hitter’s numbers when the hitter does that. We should see both moves, not just one. And you're seeing Khris Davis do this very well because he keeps his pelvis in neutral.

You can see here and just lets his upper half preload and let his lower half just do what it does and let it open as it does to take the rest of the slack out of the spinal engine.

And one more quick thing before we move on from this in this Javier Baez swing analysis … as you can see, as he coils up him in Davis, pretty much end up in the same spot, at landing. Look at where his pelvis is at landing. So, it's almost like he gets a running start with his pelvis. I don't think it really relevant because we're getting the same effect with the bounce effect with Davis as we are with Baez. It's just I think Baez's closing himself off more. And I wouldn't teach this to young hitters.

I wouldn't over rotate the pelvis or turn the pelvis inward towards the catcher to landing, because at landing, you see he's in the same position. And as long as he's getting his neck pressure, which will be transitioning to here, as long as you get into neck pressure, he'll be wound up top. And then once the lower half starts to open, as he starts to swing that rest of that slack, will get taken out and then everything will go as it's supposed to.

Amazing C/T Spine Mobility (neck pressure)

Now, let's talk about creating neck pressure. The idea of this is like wringing a towel out except for one hand represents the head, the other hand represents the shoulder. So, the hand's turn in opposite directions. And what we're trying to do is it's not so much about how much of the numbers the hitter shows, although Javier Baez in the swing analysis, you can see you can see everything. If he had a triple digit number, you could see three digits on his back. You can see his back elbow. You can see all the way across the shoulders. If he had a 20-word last name, you could see it from armpit to armpit. You can see pretty much everything, almost his rear oblique. You can see because he's shown his numbers so much.

Whereas we look at a Khris Davis on this one. Similar, but not quite as turned in because he's not turning the pelvis in. He doesn't have to. He can create this Catapult Loading System just by keeping the pelvis in neutral and let the pelvis open when it does. He needs to create that bounce with the lower half, create that neck pressure up top.

You can see that he's locked in, his head is anchoring a tracking position so he can track the ball and keep vision on the ball. It's not this idea of what some of these coaches call “false separation”, which when these coaches show on video, what false separation is there over rotating the upper half. Now, we don't want to over rotate. We can't lose sight with the back eye. And that's not Davis here. Maybe he is. He is clearly along with Baez. They are clearly showing their numbers, showing their last name. You can see that is clear as day.

There is a pro attraction of the front scap. There's a retraction to the back scap. You're seeing both of those things happen in two different hitters on two different teams. And what both of them do are doing and having common is they are wringing the towel out head and shoulders. The head creates an anchor point. Their shoulders rotate under the chin as far as they can while creating this neck pressure in the T1 (Thoracic section of spine, vertebrae-1) and C7 (Cervical section of spine, vertebrae-7) area.

So there's like a two, three-inch area that if the hitter does this right, they create that pressure there with the head anchored with the shoulder pulled under as far as it can do. And they'll feel this pressure up until the turn and they can go from there. That's taking slack out of this system early. If this doesn't happen, there is going to be compensation somehow in that there may be a front shoulder pulling out early. There might be a barrel that's dumping deep and early into the zone to try and hurry up, get the barrel to the ball.

But above all, hitters must, even hitters as young as eight, nine, 10 years old need to feel that pressure if there is going to be power the minute that pressure is taken off between the head and the shoulders, that is when we'll be letting air out of the balloon.

The reason that I've moved to more of a neck pressure, creating neck pressure versus showing numbers is that every hitter is going to be different when it comes to their mobility in their neck and their thoracic spine or their shoulders being able to turn the head this much as much as Baez or Davis. Davis isn't quite as much there. Maybe it's just with Baez because he's inward rotating his lower half. It's allowing him to turn more.

I think that again, hinders it can take our vision and tracking off the ball if we do this with younger hitters, what Baez is doing. So, I would recommend more of what Davis is doing, albeit without the stepping out part of it. But we want to create the neck pressure. That is the rule. That is the principle, the movement principle, the wringing towel principle to the Catapult Loading System in spinal engine, springy fascia.

It is not so much to show both numbers. The numbers will probably show, but it will depend on the hitter’s mobility in their neck. So, every hitter might be different.

 

Barrel Tilt

One last thing in this Javier Baez swing analysis is the barrel tilt. There are some coaches out there that like this barrel till where you can see where Baez tilts the barrel towards the opposing batter's box or kind of off towards first base and to get the barrel momentum going into the swing.

Now, this might be something that Baez needs to do because he is rotating that lower half inward towards the catcher. And to get some barrel momentum is going to help him to get around, especially on pitches in pitches up in the zone.

I don't teach this per se. I don't think it's a bad or good thing it can be a bad thing. If they tilt too much and I think Baez in the past has tilted too much and it's got him in trouble, it causes more of an uppercut type of swing. I've had hitters that do this and they hit the ball in the air more often than the hitter that doesn't tilt the barrel this much.

We've seen Donaldson from I think it was 2013 to 14. He was tilting too much and we saw his fly ball percentage go up and his batting average go down. So, I would not really mess with this too much as long as we are creating that wringing towel effect between the head and the shoulders, creating the neck pressure.

And we are what I like to tell my hitters is to act like there's a skewer going through their hip bones that is keeping him on a straight line, keeping hip bones on a straight line towards the catcher. And they just slide along that skewer until the front foot hits the ground and they can turn out of it, but they can't turn into the skewer up until landing … has to stay in a neutral position and they manipulate the neck pressure at the top to create the tension that we need to be able to instantaneously swing the bat and increase our ball exit speeds.

The barrel tilt is just not something that I would teach my hitters. I would let my hitters do it. But if it's affecting their fly ball, line drive, ground-ball ratios and we would definitely change it. Now, I hope you like this Javier Baez swing analysis. Make sure that you're swinging smarter by moving better.

And before I let you go…